Beginning life as a psychedelic, multi-media group, IT is a band with a colossal sound that shakes the bones, with a barrage of images that feeds the mind. IT’s sound fuses the classic melodies of prog rock’s past with a passion and intensity usually only found in punk or metal bands. Politics, religion, war and sexuality all come under the band’s lens for critical examination. Lyrics are intelligent, challenging and occasionally darkly humorous. The bottom line is that the IT experience will inform your thinking, feelings and memory long after the last notes have ended.
IT formed in 1994 when Nick Jackson recorded and produced the band’s first full-length album The Stranger Inside the Self. This was also when the band first began using multimedia during live shows with the inclusion of short films playing behind the group on stage. The band followed this up with the album Two Worlds in early January 1995. The band’s third album, Over & Out, was released on June 21st 2002. It was created as a concept with a story line and was performed by IT live in its entirety accompanied by projected visual montages created by Nick Jackson. In 2004 IT began to redefine itself as the band line-up grew and become more permanent, particularly with the addition of Andy Rowberry on lead guitar. He also now contributes to a lot of the song-writing alongside Nick Jackson. The fourth album Departure was released in July 2009 to critical acclaim with the accompanying bonus DVD giving an indication of the powerful onstage visuals that had by now become an integral part of the IT experience. There then followed something of a hiatus whilst the band formulated the ideas that would eventually become…This explores themes of austerity, inequality and an uncertain future for younger generations. The CD comprises 10 brand new tracks and was released in March 2017. The global official release date was 01st March 2017 via the Progressive Gears Records label in both digital and physical formats to universal acclaim leading to a Limelight feature in Prog Magazine (October 2017).